The Canadian festival, which presses on with its mission to spotlight daring auteur cinema rooted in the present day and open ...

Expo 67 is Celluloid City. In nearly every pavilion of Montreal’s spectacularly successful world exhibition—more than 18 million visitors so far—the viewer is the ultimate target of a projector.

Still, if “Who Killed the Montreal Expos?” has one shortcoming, it’s the length. The 90-minute documentary is too short. Poisson doesn’t cover how the Expos ended up playing at Olympic Stadium or how ...

EXCLUSIVE: Online Canadian film journal Panorama-cinéma has set plans in motion to launch Montreal Critic’s Week (Semaine de la critique de Montréal), a new film festival, in January 2025. Billed as ...

The drama started long before the opening night film unspooled at the 28th Montreal World Film Festival. The month before the festival kicked off, a consulting firm on behalf of cultural ministry ...

“Bon Cinema,” which translates roughly as “have a good screening,” is the general greeting among the mix of French- and English-speaking moviegoers here, a tagline so familiar that it even pops up on ...

It’s a new position for Canada’s oldest art museum, but not the first Montreal stint for Australian-born Eshrāghi, self-described as “a member of the Sāmoan clans Seumanutafa and Tautua, as well as a ...

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